What are your favorite Interweave Store patterns?
From sweaters to socks, we scoured through the hundreds of knitting patterns online at InterweveStore.com
and choose 22 of our favorites. Whether it is their creative cables, rich colored yarn, unique shaping, or just
classic and timeless style, these patterns struck a chord with us. See if you agree! |
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Staff Favorite Sweaters and Cardigans |
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| | Colette Pullover
by Veronik Avery
This pullover combines dressmaker fit and knitted fabric for a rustic sweater that feels anything but. A small Faroe inspired motif of abstract cat heads becomes a pleasingly geometric pattern when repeated across the sweater. Learn more. | | | | Central Park Hoodie
by Heather Lodinsky
Heading out for Saturday brunch with friends at your favorite neighborhood spot? Better bring Heather Lodinsky's comfy hoodie in case the weather turns chilly. Learn more. |
| | Kenobi Jacket
by Norah Gaughan
Clean lines, asymmetrical texture panels, and a boxy shape make this jacket a well-loved project. Norah Gaughan designed the cardi for a boy, but roll back the cuffs and it's a comfy throw-on your girlfriend will nab. Made in Berroco Ultra Alpaca. Learn more. | | | | Cobblestone Pullover
by Jarod Flood
With a rounded garter yoke and garter panels flanking the body on each side, the design brings geometry to this classic wool sweater. Learn more. |
| | Berkshire Dolman Sweater
by Melissa Wehrle
"My goal was to design an easy, cozy, quick pullover that still had interesting details. Knit up in Aran-weight yarn, the oversize cowl-neck, dolman sleeves, and turned up cuffs give contrast to a fitted body." - Melissa Wehrle. Learn more. | | | | Nantucket Jacket
by Norah Gaughan
A rich play of texture patterns - twist stitches, cables, and ribs - embellishes this fitted cardigan. Small gussets worked in seed stitch taper from the hem to shape the waist on front and back, and three-quarter-length sleeves end just below the elbow. Learn more. |
| | Bonita Shirt
by Mercedes Tarasovich-Clark
Delicate embroidery follows the patterns made by simple lacework in this summery knitted blouse. Learn more. | | | | Summer Time Tunic
by Katie Himmelberg
This simple tunic is a breeze to knit - you don't even need to shape armholes. Learn more. |
| | Prairie Tunic
by Veronik Avery
The lace pattern (intentionally simple), allows the color of an underlayer to peek through. The twisted straps, which thread through casings, can be replaced by leather cord, i-cord, or any material that will fit through the openings. Learn more. | | | | Flutter Sleeve
by Stefanie Japel
This tunic is designed to be worn big and loose over a contrasting color cami. It is knitted in two pieces - each piece starts at the sleeve and is worked to the center. Learn more. |
| | Trellis and Keyhole Tank
by Connie Chang Chinchio
The Trellis and Keyhole Tank is worked in the round to the armholes and adorned with a crochet-look cluster stitch for a simple knit with a little something special. Learn more. | | | | Elinor Tunic
by Wendy Bernard
Wendy Bernard spices up a top-down, seamless tank with mosaic colorwork band and vented sides. A textured silk and cotton tweed yarn knits up into an unexpectedly natural backdrop for the Elinor Tunic. Learn more. |
| | Great Gatsby Dress
by Mari Lynn Patrick
This dress combines vintage inspiration from across the last century: a Victorian lace border here, a 1920's lingerie silhouette there. Careful gores and borders separating panels and elements provide dressmaker definition. Learn more. | | | | Inari Skirt
by Cheryl Niamath
The designer's inspiration for this skirt is from all of the peek-a-boo red that can be found in Japan. The small amount of color in the slits of the skirt adds just enough detail. Learn more. |
| | Ruffle and Pleat Skirt
by Cecily Glowik MacDonald
Cecily Glowik MacDonald breaks up stockinette in the rough with columns of dropped stitches to build the outerlayer of this skirt. A chiffon-like underlayer of laceweight softens the hemline. Learn more. | | | | A Good Stripe Dress
by Mareike Sattler
Knitted with chunky stripes in pure linen, this dress drapes and swirls, then bounces back with every machine washing. Learn more. |
| | Celtic Tote
by Jennifer Tallapaneni
The designer uses an intricate cable to add structure to the Celtic Tote. Accented with contrast embroidery before fulling, the motifs use infinite-line techniques to mimic Celtic knot work. Learn more. | | | | Nordic Mittens
by Beth Brown-Reinsel
These mittens follow the classic style of the two-color Selbu mittens of nineteenth-century Norway. Learn more. |
| | Pfeiffer Falls Hooded Scarf
by Anne Kuo Lukito
The plush, plump braided cable and soft, minimally processed wool of this scarf block the chilliest wind. An extra-deep hood, carefully shaped with increases and short-rows, fits without pulling. Learn more. | | | | Clementine Shawlette
by Michele Rose Orne
Columns of eyelets and a textured tree pattern run the length of a shaped shawl. The shawl is made in two identical pieces that are grafted together at the midpoint of the shawl. Learn more. |
| | Freshman Cabled Socks
by Star Athena
These fetching top-down socks feature an inventive cable design. This project uses cables that are enlongated and stacked in a spiraling, angular design. Learn more. | | | | Snowflake Socks
by Chrissy Gardiner
A traditional motif; these socks have contrasting heels, toes, and cuffs; and striped soles. Sportweight yarns make for a quick knit and an ideal introduction to color work. Learn more. |
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